Farmhouse Style Couches With Personality
Amanda Sieradzki, Council on Ability & Arts Published 11:19 a.m. ET Aug. 15, 2020 | Updated 11:20 a.m. ET Aug. 15, 2020
Doell West on painting furniture: “I accept an art room, but I adulation to assignment in the centermost of things.”
At the affection of Doell West’s comfortable Monticello farmhouse is usually a distinct allotment of furniture. Her alive allowance transforms into an art flat as she divines what absolutely the allotment is cogent her to acrylic on it.
She is not anxious with analogous pieces to already absolute décor. Instead, her circadian activity revolves about abstraction the assignment bit by bit —whether it’s a chair, an aged board or a ancillary table. It stays in her band of afterimage until one or addition of its nuances catches her eye, afresh she takes her besom in duke and gets to painting.
“I accept an art room, but I adulation to assignment in the centermost of things,” says West, who admits the challenges to alive this way as well. “My bodies absolutely like it because they absorb a lot of time sitting on top of pieces. I additionally accept a Labrador with an alive appendage that brand to clean beyond wet paint.”
Currently, West’s hand-painted appliance works are on affectation at the Gadsden Arts Centermost & Museum’s Munroe Ancestors Community Gallery. Curator Angie Barry advised the “Fanciful Spaces” exhibition, which can be accomplished through Aug. 29, so that the appliance is reflected in West’s hand-painted mirrors. The end aftereffect is a 360-degree appearance of her pieces from every angle.
Doell West’s hand-painted appliance works are on affectation at the Gadsden Arts Centermost & Museum’s Munroe Ancestors Community Gallery.
“I was aloof afraid at how able-bodied she composes it in a visually adorable way,” says West. “You see the pieces consistently whether your aback is to them or not. That mirror’s absorption is yet addition allotment in itself.”
West has formed in abounding mediums including oil paints, blacklight photography and drawing. She began painting appliance afterwards a car blow that actively afflicted her back. Her aesthetic ancillary was balked with the bound advancement she had during her accretion aeon until a acquaintance brought her an aged assumption cesspool anchored in a allotment of copse and asked if she could acrylic it. The baby abundant assignment was a absolute fit.
Furniture continues to acquisition its way to West. Her sister brings austerity boutique finds forth on visits while accompany will alarm her aback they appear aloft an aged piece. West about evaluates the wood, and if the “bones” are good, she’ll accompany the abandoned allotment aback to activity in bursts of color.
The “Fanciful Spaces” exhibition, which can be accomplished through Aug. 29, shows the appliance reflected in West’s hand-painted mirrors. The end aftereffect is a 360-degree appearance of her pieces from every angle.
“I accomplished how abundant I enjoyed demography a alone allotment that looks like it’s had its time and about-face it into anatomic art,” says West. “The allotment dictates to me the design. There’s actual rarely a allotment I alpha area I apperceive what I’m activity to do, and I adore watching it transform.”
West considers herself built-in into art. Her mother was a aerial academy art abecedary who absolute in her a faculty of assignment belief and adherence to beheld botheration solving. She abounding a clear arts affairs but consistently begin achievement in teaching herself new mediums.
When it comes to furniture, West looks to images of old-world donkey carts from Rome and Mexico for inspiration. Each incorporates blithely atramentous designs to enhance the appearance of the piece.
West uses a advanced arrangement of colors and charcoal assured aback it comes to her creativity. Every allotment of appliance is aboriginal coated in blurred black, and if a architecture isn’t alive for her, she has no advisedly about blacking it out and starting over again.
“I anticipate in agreement of bushing abrogating amplitude aback I’m alive on a piece,” says West. “Everything gets based out in atramentous afore I acrylic because afresh my colors are true. Aback you put a chicken on there, it is a accurate yellow.”
Doell West’s hand-painted appliance is affectation at the Gadsden Arts Centermost & Museum’s Munroe Ancestors Community Gallery.
One of her admired pieces in the “Fanciful Spaces” display is a baby ancillary table with a sea turtle at its center. The absolute table is an ode to the ocean with cockle shells forth its angular legs. Addition is a Victorian appearance armchair that took three canicule to finish. She became bedeviled with the curve of the accoutrements and curves at the top, the concrete appearance in accord with her blush combinations and ideas.
In her home, West is abnormally addicted of an aged bed-making chiffonier that she is clumsy to allotment with or sell. Her admired commissions are generally for audience who allotment a agnate affecting adapter to a allotment of furniture. She corrective a highchair for one acquaintance so that it could abide a ancestors antique for their grandchildren. For addition work, West adorned a table and armchair set with images of a family’s dog and acreage animals that now “lives” in their son’s room.
“I like accomplishing ancestors heirlooms because it gives it a new purpose,” says West. “When I started this journey, it was a egocentric adventure to put my mind, anatomy and body into a bigger place. The acknowledgment I accept gotten from bodies has been admirable and I adulation to get photos of a awash allotment in its new home to see area it is. It’s like casual it on.”
West is abnormally appreciative to accept been accustomed into the Gadsden for a additional exhibition. Attendees can accomplish a catch to see the arcade in person, or analysis it out online.
“I adulation that [Gadsden] accepted my blazon of average as art and saw the beauty,” says West. “It bureau the apple to me, because it’s not aloof a allotment of furniture, it’s a allotment of art.”
She pauses, afresh laughs.
“And it doesn’t accept to bout your couch.”
Amanda Sieradzki is the affection biographer for the Council on Ability & Arts. COCA is the basic area’s awning bureau for arts and ability (www.tallahasseearts.org).
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